One major struggle for bands in today’s music scene is the consistency to be good over a considerable length of time, while still being able to stretch its boundaries and challenge themselves as musicians. Bayside, however, proves with its recent release, “Killing Time,” that the group is still capable of keeping the same sound it’s had for years, while still being able to grow and let loose refreshing, worthwhile records.
The 10-track release varies in genre from track to track. There are a few mainstream and pop-punk songs, while others lead guitarist Jake O’Shea lathers on way more guitar than anything legally considered pop. Bayside starts the record with three stand-out tunes in “Already Gone,” “Sick, Sick, Sick” and “Mona Lisa.” “Already Gone” contains a quick, toe-tapping guitar riff that captures the same powerful entrance as the band’s previous single “Devotion and Desire” from the group’s self-titled album.
“Sick, Sick, Sick,” the band’s first single from the record, is a true gem. This shout-out-loud, post-breakup tune has the most pop appeal and is comparable to a new-age Green Day tune. Its repeated chorus allows the song to easily get stuck in your head.
“Mona Lisa” is one of the songs that remind fans that Bayside has kept its core sound. Anthony Raneri’s lyrics have never been exactly uplifting despite the catchy hooks, and in this song Raneri’s abrasive lyrics accompany his undeniable distinct vocals.
On the counter end of things, the song “On Love, On Life” shows Bayside in a new light by incorporating violin, piano, horns and acoustic guitar in a slower ballad.
The band stayed true to their roots successfully without becoming repetitive or lackluster, yet still successfully experimented with new forms of acoustics. Bayside has grown tremendously as a band since the days of “Sirens and Condolences,” and with the release of “Killing Time,” it looks like Bayside has a long future ahead of them.
Rating: W W W W 1/2
Source: theweekender.com